In the opening to Humanity in Algiers, the narrator writes, “Unconscious of our own
crimes, or unwilling the world should know them, we frequently condemn in
others the very practices we applaud in ourselves” (3). This seems to be the main theme throughout
the text. Sequida and Selictor struggle
against freeing Azem since they desire to profit by selling him, yet they
themselves when they were younger needed help from a friend to release Selictor
from prison. Selictor fails to recognize
the similarity between him and Azem, refusing to free Azem by selling him to
their neighbor Testador. What I found
interesting was how Selictor’s death is contrasted with Azem’s death. Both attain the executors of their wills from
Omri’s family: Selictor from Omri himself and Azem from Omri’s son
Arramel. However, Selictor insists on
accumulating his wealth as much as possible before he dies to then give to his
biological family even at the literal cost of another person’s freedom. Azem, on the other hand, helps other slaves
and even argues against turning enemies into slaves. Although Azem’s family dies so he could not
leave an inheritance to them, his immediate thought is to help others who had
been in his position. The author seems
to be suggesting that Azem demonstrates true humanity. He is conscious of the immorality of
enslaving people no matter their race or gender. The problem with many of the characters in
the novel—Selictor, Sequida, Selin (Sequida’s brother), and Valachus to name a
few—is that they are those who are “unconscious” of their own crimes and
faults. The author seems to also suggest
that true humanity lies in not only being conscious but also realizing those
tendencies and to take action to stop hypocrisy and to help others.
I felt as though a lot of the novel was predictable
(Alzina revealed as Azem’s sister, the old slave as his mother, etc), but I
appreciated the theme of “humanity” and “unconsciousness.” I also liked the American narrator who is
revealing this story as way of paying homage to Azem for restoring his
freedom. I realize that most of the
secondary readings we had were more concerned with capitalism and
cosmopolitism, and I think I can see a correlation between them and Humanity in Algiers, especially if you
look at the slaves as commodities and how there is a continual circle of the
victors of combat enslaving the losers and then the losers overcoming the
victors and so on and so forth. However,
I felt like focusing more on a closer reading of Humanity in Algiers, especially since it is part of the “Just Teach
One” project (which I find particularly interesting by the way).
Hi Jessica,
ReplyDeleteI like the connection you make here to the characters' humanity and being conscious of their crimes. I think that certainly plays into the religious nature of the text in that we must be conscious of our sins (crimes) in order to ask forgiveness and receive God's blessing and grace. I didn't think of it that way when I first read it, but now I see it. I wonder what the significance is though that both wills are executed through Omri's family? Someone in their post (I wish I could remember who) said they see Omri's behaviors as being aligned with God's will. I wonder if that has something to do with the reason Omri and son are the executors? I wonder too if the struggle (especially with Sequida) is more with money and greed? There was the subconscious struggle in her dream where she was promised God's curses (essentially) if she did not free Azem, but was she more motivated by fear for herself or from a true change of heart and conscience? I don't really have an answer--just thinking "aloud." :)
Thanks for drawing my attention to the significance of the Omri family's wills in the intricate commercial web that seems to connect everyone and everything in "Humanity in Algiers." I was so focused on the exchange of money that I somehow overlooked the greater significance of those legal instruments, which determine future wealth and map the twisted genealogies of all slave societies. (See Jeff Clymer's new book, "Family Money," on this subject.) On an unrelated note, I also like how you note the predictability of the text, which may have less to do with the text and more to do with your skill in recognizing and anticipating the narrative flow.
ReplyDeleteJessica,
ReplyDeleteI was very interested in the theme of unconsciousness in the text, especially because I thought it was meant to reflect back on hypocrisy in the United States. However, I hadn't made the connection between humanity and consciousness. I think it's really interesting that you saw the two being related to each other! In the context of what we talked about in our class discussion, I wonder if Azem's consciousness of the bandit as a criminal can partially explain why he killed him. Just like the slaveholder, the bandit could be a symbol of those who are unconscious of their own selfish crimes, which Azem directly opposes.
I also found the text very predictable. In my blog post I described reading it as deja vu, but I saw it in the context of abolitionist literature. Your post and our class discussion made me realize that this novel was also reminiscent of 18th-Century British literature. It's always interesting seeing how different literary conventions mix.
Jessica,
ReplyDeleteI also appreciated your post drawing our attention to the use of legal instruments to reveal the hidden intents and motives of the heart. I guess this post illustrates the saying that if you want to see what people care about, look where they spend their money. I wonder if it is possible to think about the the progression toward more humanity and consciousness in a Hegelian manner, loosely speaking. First, we have Selictor and Omri working together to produce a will that provides for Selictor's biological family. Omri survives Selictor and works to obtain freedom for Azem. Then, Azem, in death, works with Omri's son to produce a will aimed at obtaining freedom for many slaves. This might be way out there.